A Daughter라이브 바카라 Journey To Tell Her Olympic Hockey Gold-Winning Father라이브 바카라 Story

“No, you cannot do it.바카라 웹사이트 How can you?바카라 웹사이트You have no backers.”바카라 웹사이트But Bani Singh was not deter­red by these voices.바카라 웹사이트Her close relati­ves found it incredible that Bani had embarked on an amb­itious project to document a slice of hoc­­key history nearly lost to the ages.바카라 웹사이트But Bani was smitten by the idea of capturing on film the story of her fat­her Grahnandan Singh, who was in the team that won the first Olympic hoc­key gold for independent India in 1948.바카라 웹사이트And, as poetic justice would have it,바카라 웹사이트India had defeated England in the finals in London.바카라 웹사이트

Bani라이브 바카라 documentary project, five years in the making, is now in danger of being derailed.바카라 웹사이트The furniture designer turned film-maker finds herself drawn up against an unexpected wall—for the archival foo­­­tage of the 1948 final she is being asked to cough up 9000 pounds per min­ute by the London-based Olympic Tel­evision Archive Bureau (OTAB). In all, the film라이브 바카라 requirement of footage will cost the film-maker at least Rs 30 lakh.

A frustrated Bani is trying to convince OTAB and other archival sources like British Pathe of her limited resources as well as her passion for a story that has, besides hockey, the poignancy of Partition,바카라 웹사이트the break-up of the Lahore-based United Punjab team and the ard­uous journey her father undertook to India as refugee before wresting a place in the hockey team. In its intersections between sports and socio-politics, this is mined from a seam of historical gold.

Ironically,바카라 웹사이트a celluloid version of the 1948 game, titled Gold, has been made starring Akshay Kumar.바카라 웹사이트 “Here I am trying to doc­u­­ment the real story of the game through the recollections of바카라 웹사이트my father, who was in the 1948바카라 웹사이트team. And along comes a fictionalised version.바카라 웹사이트Unbelievable,” says Bani.

About the steep price of archival footage, Bani says, “How can someone like me, who started making the film on my own resources with some backing from my brother, hope to make such huge payments?”바카라 웹사이트

“I tried explaining to the Olympics bur­eau that I am just an individual without sponsors, with the sole agenda of telling a story of that particular game since it has so much to do with Partition,바카라 웹사이트 the golden era of Asian hockey and colonial history,” says Bani.바카라 웹사이트 But little has come of it.바카라 웹사이트

The Olympics body in charge of arch­ives has a multi-tiered price structure.바카라 웹사이트For unrestricted exhibition, it charges 9000 pounds per minute of footage and 4000 pounds if it라이브 바카라 to be screened only in film festivals.바카라 웹사이트The licence is valid only for five years, after which it needs to be renewed by making a fresh payment.바카라 웹사이트

OTAB vice-president (rights and sales) James Dobbs says that “as a gesture of goodwill” they might reduce the price by 500 pounds for Bani.바카라 웹사이트

The marginal reduction hardly provides succour to Bani.바카라 웹사이트“The archival cost, in addition to production costs, come close to Rs 50 lakh, and I have no way of raising it,” she says. Unless the OTAB waives the entire charge for the footage or a generous sponsor steps in, the documentary may never get made.바카라 웹사이트바카라 웹사이트

Grahnandan, or Nandy, as his friends call him, was India라이브 바카라 forward in that line-up.바카라 웹사이트 “I grew up hearing various tales of hockey from my fat­her.바카라 웹사이트In 2009, he suffered a paralytic stroke and as he struggled to recover, I could see the fighter in him and understood how he had overcome all odds as a refugee to get into the Indian team,” she says.

For someone who had바카라 웹사이트no previous experience in film-making,바카라 웹사이트Bani라이브 바카라 foray into making the documentary was바카라 웹사이트courageous, even foolhardy.바카라 웹사이트“I would app­roach people with my proposal.바카라 웹사이트Either they would look askance since I had no previous experience or they would be dismissive.바카라 웹사이트Who will see it? Nobody is interested in such films,” she says, reca­lling the pessimism thrown at her.바카라 웹사이트

That was when Bani, who lived in Bangalore, decided to go it alone, with some help from brother Mano Singh.바카라 웹사이트The very ill, paralysed Grah­nan­dan lived in Delhi and whenever it was her turn to take care of him,바카라 웹사이트Bani prodded him with questions. Depending on his frail, nodding assent (or dissent), she weaved together the story.바카라 웹사이트As Nandy improved, he learnt to write afresh, managing to write down a few memories.바카라 웹사이트“It was a slow, arduous process and over several months I managed to get the story from him. He would dir­ect me to his team members, who then would supplement the바카라 웹사이트story,바카라 웹사이트filling in important details,” she says.

In the process, Bani managed to get on camera legendary players like Balbir Singh and Keshav Datt to speak of their glorious careers, making it a fascinating slice of history.바카라 웹사이트Nandy,바카라 웹사이트Keshav, Balbir and others were from Lahore and part of the undivided Punjab team.바카라 웹사이트Those were the days when India ruled world hoc­key.바카라 웹사이트Through the reminiscences of these stalwarts, Bani pieced together what it meant to be a hockey player in their time. “Each player had바카라 웹사이트a special qua­­­­lity; none was able to match the agility and technique of the undivided Indian team.”바카라 웹사이트

Everything fell apart during the trauma of Partition. Bani라이브 바카라 father barely survived the violence and managed to flee to Delhi. “Rioters killed an individual in front of my father, who was next in line. When they realised they had murdered an Anglo-Indian, and so fearing the wrath of the British, they dispersed. That is how my father was saved,” she says.

Nandy and his fleeing teammates managed to reach various Indian cities as refugees.바카라 웹사이트Despite the enormous odds presented by torn and bloody lives, they got together and made it back into the Indian hockey team.바카라 웹사이트Bani라이브 바카라 film has all the details, straight from the horse라이브 바카라 mouth.바카라 웹사이트

Not only that, Bani even managed to make a trip to Lahore and ret­urned with even more emotional tales of camaraderie that existed among former players, despite the madness of 1946-47, and the continuing tensions between the two partitioned offspring—India and Pakistan.

Quite naturally, the film strays바카라 웹사이트into Partition history,바카라 웹사이트nuggets of information that throw light on the collective trauma and the tragic strangulation of Asian hockey by the game라이브 바카라 global managers, who changed the rules for it to suit fast-paced European hockey.

Given the obstacles lined up against her, no one knows when Bani라이브 바카라 documentary would see the light of day. Instead of the raw emotions—and the jagged backcloth here—that propel players towards achievements, will India have to stay con­tent with another fictionalised, unsatisfactorily executed Bolly­w­ood period drama?바카라 웹사이트Considering the sheer wealth in Bani라이브 바카라 narrative, the least she deserves is a penalty shot, if not a goal on a platter.

By K.S. Dakshina Murthy in Bangalore

(The writer is an independent journalist)