The recent emergence of the feminist horror genre in Hindi cinema has been generating a lot of interest, especially with the latest release of Amar Kaushik라이브 바카라 'Stree 2', a riveting sequel to the 2018 horror comedy 'Stree', which revolutionised how horror tales would henceforth be told —from the woman라이브 바카라 perspective. Films like Prosit Roy라이브 바카라 'Pari' (2018) and Anvita Dutt Guptan라이브 바카라 'Bulbbul' (2020) followed suit with their strong and layered women protagonists leading the narrative and taking on the men who had wronged them. Much has been said about how the ghost/witch/demoness in these films disturbs the patriarchy with her righteous revenge. But what about the men? How are conventional notions of heteronormative masculinity looked at in these feminist horror films?