Touted as Mohanlal's 'real comeback' to the silver screen, the film is an ode from a die-hard fan of cinema in general, and a Mohanlal fan in particular.
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Apeksha Priyadarshini
Editor
About The Author
Apeksha is a Senior Copy Editor and writes on cinema, politics, art, gender and social justice. She has a Ph.D in Cinema Studies from the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi.
About The Author
Apeksha is a Senior Copy Editor and writes on cinema, politics, art, gender and social justice. She has a Ph.D in Cinema Studies from the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi.
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Adolescence exposes the deepest, darkest corners of incel culture, male rage, masculinity, manosphere, teenage violence and social media … one long shot at a time
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A political turmoil is brewing over an article in the RSS mouthpiece Organiser that has now been pulled down, which claimed that properties totalling nearly 17 crore acres in India come under the Catholic Church라이브 바카라 control
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Achal Mishra's latest isn’t meditative because of the aesthetically pleasing chiaroscuro; it is the way the greatness of Vinod Kumar Shukla라이브 바카라 fleeting musings drift through the ordinariness of his lifestyle that draws you into the film.
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The country라이브 바카라 international position will remain precarious so long as it leaves its own internal political crisis unaddressed amidst the war, which is witnessing constant shifts in solidarities and alliances바카라 웹사이트
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In a bid to remember Dad through his penchant for music, we decided to put together a playlist of his favourite songs
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Bollywood films do not just stop at casting the Muslim man as the antagonist—a studied investment within films such as Chhaava goes into depicting the Muslim as barbaric and cruel, especially towards women figures
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