Actress-producer Pallavi Joshi라이브 바카라 film ‘The Kashmir Files' turned out to be one of highest-grossing Hindi films of the year, despite featuring no A-list actors. Made on a budget of Rs 15 crore, the film grossed over Rs 350 crore worldwide. Directed by Pallavi라이브 바카라 husband Vivek Agnihotri, the film revolves around the mass exodus of Kashmiri Pandits from the Valley over 30 years ago.바카라 웹사이트
On the other hand, much bigger films under bigger banners failed to impress the audience and crash-landed at the box office. Those include the likes of Ranbir Kapoor라이브 바카라 ‘Shamshera’, Aamir Khan라이브 바카라 ‘Laal Singh Chaddha’, and Akshay Kumar라이브 바카라 ‘Samrat Prithviraj’. Now, Pallavi, in a chat with Hindustan Times, talked about what Bollywood is lacking and why films are tanking at the box-office.바카라 웹사이트
“I am not an expert in Bollywood so I don’t know what went wrong with Shamshera or Dobaaraa and other films. But I can certainly tell you what worked in favour of our film. I have always believed that the audience realises the intent with which you put across your subject or performance. In theatre, there were days when I lost focus and wouldn’t get the same reaction from the audience. And those were the most miserable days. And the same applies to films as well. Through the screen too, people realise your honesty,” she said.바카라 웹사이트
The actress, who has been in the industry for a long time, said that the box-office failure of Bollywood films is also due to the disconnect they have with the audience.바카라 웹사이트
“As an artist, the training is to show a mirror to society. So, even if you are a little anti-establishment, that라이브 바카라 ok. If you see the films of Raj Kapoor, Manoj Kumar, Sunil Dutt, they mirrored whatever was happening around in the society. The films were based around the problems India was facing at that time. Somehow, the problems of India do not feature in our films anymore. Hence, there is that disconnect,” she signed off.바카라 웹사이트
‘The Kashmir Files’, apart from Pallavi, also starred Mithun Chakraborty, Anupam Kher, and Darshan Kumar.
