A Tender Saga Of Same-Sex Love Comes Alive On OTT

The Married Woman바카라 웹사이트is the story of two women who, on the surface, seem happy with life but are trapped by aching loneliness. Astha (Ridhi Dogra) is an educated, middle-class housewife, married to her loving husband, happily running behind two children and obeying the wishes of her conservative-minded in-laws. Her exact opposite is Peeplikha Khan (Monica Dogra), a free-spirited, cigarette-smoking artist who deploys her boho-chic demeanour to shock the conservative Muslim society she lives in. Underneath their seemingly content lives, is an aching dissatisfaction that traps both women. Their paths cross against the backdrop of the Ram Janmabhoomi movement in the early ’90s, its flames setting ablaze communal harmony. Loneliness becomes the thread that ties their relationship – a union that gives expression to Astha라이브 바카라 and Peeplikha라이브 바카라 sexual desires.

Perhaps one reason why Kapur라이브 바카라바카라 웹사이트A Married Woman바카라 웹사이트hasn’t got the recognition it deserved was because it dwelt on things that didn’t make for pleasant drawing room conversations. After all, does Astha deserve to have sexual desires after seven years of marriage? So what, if she is dissatisfied with her husband? She doesn’t have much choice but to live with him and accept reality. At the same time, a woman like Peeplikha who doesn’t conform to societal norms and lives life on her own terms is branded as loose. Almost two decades later, women still have to battle the challenges of misogyny and same-sex relations. The underlying reality of women bored in their marriages and their consequent extra-marital affairs wasn’t welcomed then and is frowned upon even now.

However, let라이브 바카라 not get tied down by the sexual elements of the novel and its OTT adaptation, directed by Sahir Raza.바카라 웹사이트The Married Woman바카라 웹사이트demonstrates that even within the binaries of middle-class values, lie complexities that merit attention. It shows how Peeplikha, a successful artist who is cynosure of all eyes, has to battle conservative values by herself and cope with the tragic death of equally bohemian husband Aijaz Khan (Imaad Shah), a theatre director. Similarly, Astha has to forego her own identity for the sake of her family – till Peeplikha comes along and mesmerises Astha with her liberated ways. In between, Astha is also attracted to Aijaz but their bond is broken after he gets killed in Hindu-Muslim riots.

In adapting바카라 웹사이트A Married Woman, producer Ekta Kapoor has been extremely brave. To tell a story that challenges misogyny and long-held notions of a woman라이브 바카라 identity isn’t easy. Moreover, the plot is set amid the backdrop of the Ayodhya movement, which adds another acerbic lace to the series. Despite the presence of these provocative elements,바카라 웹사이트The Married Woman바카라 웹사이트doesn’t sit in judgment of who was right or wrong. It is a remarkable feat of storytelling that the series goes beyond the usual trope of bored-women-in-a-relationship – just like Deepa Mehta라이브 바카라 2005 film바카라 웹사이트Water바카라 웹사이트did. Challenging subjects are not new to Kapoor anymore – something she라이브 바카라 demonstrated by producing movies like바카라 웹사이트Udta Punjab바카라 웹사이트and바카라 웹사이트The Dirty Punjab. She now brings that sensibility to the OTT universe by sensitively portraying the complex story of two women, trying to fight societal norms.

The Married Woman바카라 웹사이트is an important moment in India라이브 바카라 short history of OTT content. It shows that young filmmakers can adapt complex stories sensitively, for an audience that is willing to engage with such layered subjects. Ekta Kapoor라이브 바카라 contemporaries in the entertainment industry should follow in her footsteps and back such projects to the hilt. Only then will we see a new portrayal of women and their desires on screen.

(Vani Tripathi Tikoo is a member of CBFC바카라 웹사이트and an Indian actor who has worked in films like바카라 웹사이트Chalte Chalte바카라 웹사이트and바카라 웹사이트Dushman)