Art & Entertainment Not Your Goddess, Not Your Victim: The Feminist Lens of Regional Cinema바카라 웹사이트 BY Shreya Banerjee
Art & Entertainment Modhura Palit On Breaking Cinematography라이브 바카라 Glass Ceiling | Women's Day Special BY Apeksha Priyadarshini
Art & Entertainment Mithya Review: Sumanth Bhat라이브 바카라 debut looks through a child라이브 바카라 scars, fluidly shifting between immersion and distance BY Debanjan Dhar
Art & Entertainment Sthal Review: An acutely observed takedown of Indian match-making BY Debanjan Dhar
Art & Entertainment Anora Review: Sean Baker라이브 바카라 Oscar-sweeping anti-fairytale is both dazzling and depthless BY Debanjan Dhar
Art & Entertainment Nickel Boys Review: RaMell Ross’ visceral racist reform school-set film is one of the year라이브 바카라 staggering achievements BY Debanjan Dhar
Art & Entertainment Superboys of Malegaon Review: Adarsh Gourav and Shashank Arora beguile and devastate in warm, disarming drama BY Debanjan Dhar
Art & Entertainment A Complete Unknown Review: Timothée Chalamet brings headily impassioned and elusive charge to Bob Dylan biopic BY Debanjan Dhar
Art & Entertainment The Brutalist Review: Adrien Brody Dazzles In Soaring, Incongruous Post-War Parable BY Debanjan Dhar
Art & Entertainment No Other Land Confronts The Palestine Question With Absolute, Unflinching Rigor BY Debanjan Dhar
Art & Entertainment “I wanted to give something back to my parents” | Interview with the makers of ‘Baksho Bondi’ BY Tatsam Mukherjee
Art & Entertainment Baksho Bondi (ShadowBox) Review: Tillotama Shome anchors the drama with fine-steel spirit and immense soul BY Debanjan Dhar
Art & Entertainment Vaghachipani (Tiger라이브 바카라 Pond) Review: Natesh Hegde라이브 바카라 transfixing, tightly composed drama is driven by consequence and cover-ups BY Debanjan Dhar
Art & Entertainment ‘I didn’t want the easy way out while making the sequel’| Interview with Rima Das on Village Rockstars 2 BY Debanjan Dhar
Art & Entertainment The Fairy Tale Ends And Life Begins | Love On The Big Screen BY Apeksha Priyadarshini
Art & Entertainment ‘Space dictates the drama, not the characters’| Interview With Natesh Hegde on Vaghachipani (Tiger's Pond) BY Debanjan Dhar
Art & Entertainment “Every person needs to find their own way to resist” | Interview with filmmakers of 'Khartoum' BY Tatsam Mukherjee
Art & Entertainment Hal & Harper Review: Lili Reinhart anchors bittersweet, sweeping family-snapshot BY Debanjan Dhar
Art & Entertainment Paatal Lok, Severance And The Slow Burn Keeping Prestige TV Alive BY Debiparna Chakraborty
Art & Entertainment Bokshi Review: Ambitious, expansive eco-horror mounted with energetic vision BY Debanjan Dhar
Art & Entertainment Rohan Parashuram Kanawade on 'Sabar Bonda': “Observing life helps me craft my language” BY Tatsam Mukherjee
Art & Entertainment Sorry, Baby Review: A mordant, fresh rewrite of trauma narratives BY Debanjan Dhar
Art & Entertainment Train Dreams Review: Joel Edgerton delivers career-best turn in a miracle of a film BY Debanjan Dhar
Art & Entertainment Non-Sense Making: Why Should Gen Z And Gen Alpha Watch The Cinema Of David Lynch? BY Srishti Walia
Art & Entertainment Sauna Review: Mathias Broe라이브 바카라 Scorching, Searching Debut Holds Nothing Back BY Debanjan Dhar
Art & Entertainment Twinless Review: Dylan O’Brien Enthralls In This Shifty Instant Classic Circling A Twisted Friendship BY Debanjan Dhar
Art & Entertainment Chloé Robichaud라이브 바카라 Two Women Steers Erotic Rediscovery With Comic Feistiness BY Debanjan Dhar
Art & Entertainment Turning to Page 3: Madhur Bhandarkar and the Media Moment of ‘Glamour’ BY Piyush Chhabra
Art & Entertainment Dancing Fans: The Choreography of Kaho Naa…Pyaar Hai and its Footprints BY Rini Dasgupta
